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Collage Light

by Charlotte Cornfield

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1.
The Pages 03:54
My book was blank before you filled it up with accidents Right to left, read like Hebrew scrawl Flip it upside down and read and it’s much less of a mystery It says I dug you just ‘cause you were tall Book two was just about neon collage light And friends with beat up leather shoulder bags who forage through the night It reads in convoluted poetry, confusion, identity The ink was blue and everything looked bright And the pages keep on turning in my life While my rage and age burn on like dynamite To reveal Something real They reveal Something real The third book was one I lost outside of town and in the moss Delirious and high and drenched in dew Oh I got so sick that night, letters pounded on my site But I’ll go find that book sometime with you And the pages keep on turning in my life And the pages keep on turning in my life And the pages keep on turning in my life While my rage and age burn on like dynamite To reveal Something real They reveal Something real Oh so real
2.
With some babe, I bet that’s where you are With some babe in some dark bar. But that’s okay guy, I’m just a friend And my lonely nights will one day end But it gets cold in my little bed And goodbye was all you said Now I bet some babe is in your head I’m okay, I bet that’s what I am I’m okay and I know you give a damn ‘Cause I saw you stare me down There’s a wrinkle in your frown And a closet full of words That I swear I never heard Now I bet some babe has got your vision blurred Some babe Some babe Some babe is gonna feed you to the birds Away, I bet that’s where we are Just away, real goddamn far But I’m thinking of your nose And the way your long hair grows And your closet full of words That I’d love it if I heard Someday I’m gonna feed you to the birds Someday Someday Someday I’m gonna feed you to the birds Someday I’m gonna feed you to the birds To the birds, to the birds, to the birds Someday I’m gonna feed you to the birds
3.
HAUNT OF MINE Your noisy white apartment The mattress on the floor Bare walls Just a hook on the door I see your forehead so full of lines The red bike you built The wind in the night Your cast-iron pan And your treasured knife Oh I see shadows, scattered coffee grinds I’ll go back to you, you’re a haunt of mine (Ghosts) November will creep up And whisper in my ear That your mountains have called you And I’m staying here But I haven’t even told you my middle name yet - it’s Madeleine Oh you send a shiver down my spine (Ghosts) I will go back to you And the moon will shine Spring will come again Meet me there I will find you I will find you You’re a haunt of mine You’re a haunt of mine You cleared out your apartment Left nothing on the floor Turned out the lights And shut the door
4.
The Colour 04:01
My shoulder moved closer to your voice My leg white from the winter to your broken record noise But then you burned your finger, and faced with the choice I closed my eyes, you didn’t close the door I closed my eyes, you didn’t close the door Your eyes wandered up and down the road Smiles and hopeful laughs on the mountain piles of snow But then she said “so, what about the girl?” as though She didn’t know, she didn’t even know She didn’t know, she didn’t even know The colour on my cheeks is fading And I don’t know what to do about it All I really know is that I’m wasting my time On you All of my time On you My tongue made weird shapes and said weird words Things I never thought, things I wondered if I’d heard So long, farewell, auf weidersehen, adieu If I had a chance at all it must have been with you If I had a chance at all it must have been with you The colour on my cheeks is fading And I don’t know what to do about it All I really know is that I’m wasting my time On you All of my time On you Wasting my time On you All of my time On you
5.
NORTH OF SUPERIOR I’m standing in line at Olympico I stayed up all night listening to the radio There’s a sunglass sea on the patio Eyes all hidden from the sun’s glow But there’s water in this rusty lake for everyone to dip their toes in You know I’m always gonna scoff at the small town scene But it doesn’t matter what’s better ‘cause I’ll see you where I’m going ‘Cause I’m going north of Superior And you should come north of Superior They say everything north of Superior’s crystal clean Toronto’s full of sharp ears Concrete scenes and judging sneers Big smoke of thundering cars There’s one party on and eight empty bars But there’s mud in these dirty streets for everyone to squish their feet in I know you’re always going to squawk at the city scene But it won’t matter what’s better when all the paths are beaten And everything north of superior Everything north of Superior Everything north of Superior’s Submarine Aw, there’s blood in these veins to get us through the winter The bandwagon’s gone, the town has quit the scene But I won’t sit back and watch these structures splinter Cause I’m going north of Superior And you’re going north of Superior So let’s keep north of Superior Evergreen I’m standing in line at Olympico I stayed up all night listening to the radio
6.
You’re a tear on an airport floor Your shoes are waiting at the door But what are they waiting for? I’ve been so high and I’ve been so low I moved the piano And it moved so slow But here’s to Looking at you Here’s to looking at you, kid I’ve been a tired bear I’ve tripped and I’ve fallen and I’ve slept there Like a drunk on a hill There’re irons in the fire And birds on the wire I’ve been really tired But here’s to Looking at you Here’s to looking at you, kid And from a distance, I- I watched you die You’re a tear on an airport floor Your shoes are waiting at the door

about

Collage Light EP was made in Montreal in 2009.
It features the short-lived yet mighty backing band, The Talls: Stephen Tchir, Daniel Foreman-Mackey, and Noah Barer.

credits

released May 16, 2009

Produced by Charlotte Cornfield and Etienne Pouliot
Recorded and mixed by Etienne Pouliot at Troublemakers and in two sunny apartments in Montreal
Mastered by Cristo Tapia at Troublemakers in Montreal
Artwork and design by Peter Nevins (www.peternevins.com)

Charlotte Cornfield – Voice, guitars
With the Talls:
Stephen Tchir – Electric guitars, lapsteel, mandolin, voice
Daniel Foreman-Mackey – Bass
Noah Barer – Drums

And Guests:

Philippe Battikha – Trumpet on Someday
Samantha De Benedet – Trombone on Someday

Percussion lovin’ on Someday:
Charlotte Cornfield, Boris Paillard, Etienne Pouliot, and Stephen Tchir.

The Little Choir on Haunt of Mine and North of Superior:
Noah Barer, Peter Nevins, Boris Paillard, and Leif Vollebekk.

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